setting

Rabisu

In Akkadian mythology the Rabisu (“the vagabond”) or possibly Rabasa are evil vampiric spirits or demons that are always menacing the entrance to the houses and hiding in dark corners, lurking to attack people. It is said that pure sea salt can ban them as the salt represents incorruptible life (salt preserves, and life was first born from the sea). In Hell, they live in the Desert of Anguish, attacking newly arrived souls as they travel down the Road of Bone to the City of the Dead. Continue reading Rabisu

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story

Campaign Two, Story One

The church is calling its clerics to clear the temple (and the hamlet) of corruption, and resanctify(2) the Altar of Light at the heart of the temple. Success brings the accolades of the church(3). For those of the faith that do not belong to a clerical order(4), a cash bounty is placed upon successfully clearing the land of evil (5), as well as a fair market value paid on any religious goods recovered from the temple (paid by Father Rhall, of the church in Bridgeford). Continue reading Campaign Two, Story One

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story

1st Encounter, Random Encounter

Two hours west of Bridgeford, a hunting pack of 4 Chaos Brutes (Scale mail, Shields, Battle-axes) set upon our heroes (Two clerics, One rogue, One mage, One fighter) in the grasslands between the wooded foothills where the elder temple is to be found, and the town itself. A Brute’s flawless attack knocks the fighter down in one blow, rendering him unconscious (bloody, but not bleeding … Continue reading 1st Encounter, Random Encounter

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setting

Mukīl rēš lemutti

Mukīl rēš lemutti, meaning “he who holds the head of evil”, was an ancient Mesopotamian winged leonine demon, a harbinger of misfortune associated with benign headaches and wild swings in mood, where the afflicted “continually behaves like an animal caught in a trap.” It was one of the two demons that followed people around, an “evil accomplice” also referred to as rabis lemutti (“he who … Continue reading Mukīl rēš lemutti

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setting

Urudimmu

He appears in later iconography paired with Kusarikku, “Bull-Man”, a similar anthropomorphic character, as attendants to the god Šamaš. As one of the eleven spawn of Tiamat in the Enûma Eliš vanquished by Marduk, he was displayed as a trophy on doorways to ward off evil and later became an apotropaic figurine buried in buildings for a similar purpose. Continue reading Urudimmu

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